An interesting microphone setup for violinist Nigel Kennedy

By · · 9 min read

An interesting microphone setup for violinist Nigel Kennedy

If you’re miking one of the finest violinists in the world, should you point the mic at the double bass instead?

I’m always on the lookout for interesting microphone set ups. There’s a lot to be learned about how mics can sound in various configurations, often with performers of a quality that is rare to come across in everyday experience.

Instrumental performers don’t get much better than Nigel Kennedy, who is renowned as one of the world’s finest classical soloists, and also plays a very creditable jazz fiddle.

So here he is playing his second-best violin on the BBC’s Andrew Marr show on May 5, 2013…

All I can see here are two microphones. One pointing at the double bass, the other at the guitar. The violin - which is the whole point of the performance - seems to be ignored entirely. It isn’t at all what you might call conventional.

Listening closely, the mix of the instruments seems to be mono. There is a huge tradition of working in mono in television, which graduated to stereo far later than FM radio. Indeed, I have heard many mono TV mixes of live music that were better than their stereo radio counterparts.

In this example, the stereo information seems all to be in the rather ugly artificial reverberation, but let’s not be distracted by that. The instruments do seem to wander a little in the stereo sound stage, but this might easily be due to the lossy encoding of the downloaded program.

Guitar and drums

It is an interesting task to balance instruments through microphone positioning. Since the drum appears not to have a mic, then a position has been chosen that balances the drum and the guitar appropriately. That wouldn’t be much of a problem, although you would expect the drum to have more ambience than the guitar. In this case the ambience is obscured by the resonance of the drum and the artificial reverb.

Violin and bass

Balancing the violin against the bass with one mic would be possible too in theory. However the violin is clearly the most important instrument here and the mic is positioned very low down, and clearly angled towards the bass.

My guess is that there is a mic mounted on the tailpiece of the violin. Indeed, you will see a fuzzy black blob there, which is all that the video can resolve. It could be a mute. Many violinists have a mute that is pushed back towards the tailpiece when not in use, then clipped to the bridge when needed. But I think it’s a mic.

The giveaway occurs at the very end of the performance when Kennedy steps back from the stand-mounted mic, but the level and sound texture of the violin hardly changes. Fitting a microphone to a string instrument often results in a rather hard and harsh sound, but here the sound isn’t too bad, and it suits the jazzy idiom of the performance.

In summary, it’s always good to learn from the microphone techniques of others, and often television provides a good opportunity.

Publication date: Saturday May 11, 2013
Author: David Mellor
Join David Mellor’s Audio Masterclass…

“It isn’t about equipment and software -
it’s all about knowing how to use it

Tweet

Comment of the week: Just how hard is it to ‘get into the groove’? A RecordProducer.com reader, like so many of us, finds it difficult to get into the groove. Is groove a lost art? Read more…

Songwriters found guilty of stealing melody! A throwaway line in a mid-song flute solo has cost the writers of ‘Down Under’ dearly. A court judgment means they must now hand over their royalties. But there’s good news too… Read more…

Why are you recording at home when a pro studio would do a better job? Still struggling to get a good sound in your home recording studio? Perhaps a visit to a pro studio would fix all your problems. Read more…

Men At Work copyright case - PROTEST NOW! We’re organising a mass protest against the Larrikin Music vs. Men At Work court decision. Join now and the kookaburra may not have the last laugh. Read more…

Help! I have too much equipment. What can I do? A Record-Producer.com visitor complains that he has too much equipment and wants to get rid of half of it. Trouble is - he doesn’t know which half… Read more…

Can you really *produce* using only virtual instruments? So you record using virtual instruments. Can you really call yourself a producer? Read more…

“The Teaser!” by Laids Cretins des Alpes The Album ‘MORTEL!’ (KILLER!) was written and composed essentially by the Dr Droopi since the end of the recordings sessions for the last album ‘keskonvafair?’… Read more…

Which came first - Pirates of the Caribbean, or Gladiator? An eagle-eared RP reader spots similarities in music for the movies. Read more…

Amy Winehouse - a loss for music It is always sad when someone goes before their time. We mourn the loss of a great musical talent and reflect on this sad personal tragedy for Amy and those who knew her well. Read more…

Should you optimize tracks individually or in the context of the whole mix? You can make each individual track of your recording sound as great as you like. But will they all mix together successfully? Read more…

Should we clean up old recordings, or keep their noise and distortion in all their glory? We think we know everything these days. But are we getting a little too clever? Perhaps people in an earlier age of recording knew something that we don’t. Read more…

How technology is killing music Don’t we have great music-making technology these days? But what happened to the great music we were going to make with it? Read more…

(Almost) everything you need to know to earn a living by recording music everything you need to know to earn a living by recording music”) What do you need to know to earn a living by recording music? Who will pay for your music? How should you market your music? How much can you earn? Read more…

What qualities do you need to be a producer? A RecordProducer.com reader asks what personal qualities he needs to become a producer. There are four key areas where you will need to be a genius to succeed, maybe five… Read more…

How to get a ‘vintage sound’ in your recordings Vintage and retro equipment is very popular these days. But is that all you need to achieve a vintage sound? Read more…

Isn’t it about time you had your own iPhone app? So your band has a website. That is so 2009! Why not get the new decade started with an iPhone app that showcases your talent to the (iPhone) world? Read more…

Q: How can I get my music up to a level that is acceptable for radio? How can I get my music up to a level that is acceptable for radio? My music always seems to be a few decibels lower than the accepted level. Read more…

How to compress a snare drum that changes in level Sometimes the snare is loud, sometimes it’s not so loud. Should you use a compressor to even out the level? Read more…

Can a pianist’s wrong note played in 1962 be fixed in 2013? A wrong note that has resonated for more than half a century is fixed - without the aid of a time machine. Read more…

Build a working turntable from CARDBOARD, courtesy of Kid Koala Kid Koala’s new CD, 12 bit Blues, comes with a cardboard turntable that you can build yourself, plus a flexidisc to play on it. Want one? You really should! Read more…

Related reading

Who we are

Full story

Record Producer is a dedicated platform for aspiring and established music producers, offering valuable insights, tips, and resources to elevate your craft.