I would like to present this as an interesting demonstration of resonance. Resonance, as you may know, is a key concept in the theory of sound and it affects many of the processes we use every day in music production and sound engineering, both live and in the studio.
Please watch the video. You don't need to watch it all, you can skip through it quickly if you like...
I watched this live on TV as part of the Diamond Jubilee concert of June 2012, and I was fully expecting Grace Jones to put down the hula hoop after a few seconds, or certainly by the end of the first verse of her song Slave To The Rhythm. But she kept it up the whole way. Wow, I don't think I could do even a single full turn. Of course, her costume helps. But now the science...
The hula hoop works on the principle of resonance. Put a little bit of energy into the hoop every so often, and the hoop will gyrate easily. Get the timing wrong and the hoop will fall to the ground. And you will look an idiot.
So all Grace has to do, considering that clearly she has had a lot of experience in hula hooping, is give the hoop a little push with her hips every time it goes round, and the hoop will spin with very little effort.
But...
The hoop will only spin at the rate it wants to. The diameter of the hoop dictates its resonant frequency. So a small hoop will want to spin faster than a large one.
So how does Grace manage not only to keep the hoop spinning at the correct rate, and also sing in time with the music? The answer is that the hoop has been selected so that the rate of spin matches the tempo of the song. Clever. Well it almost matches, but the Q factor of the resonance isn't so high that Grace's rhythmic hip movements are too far off the required pace.
OK, so it's a novelty performance. But its an interesting novelty. Whoever thought of the idea perhaps doesn't wholly deserve a knighthood from the Queen, but I'd buy them a drink and hear their story about how it all came together.
By the way, if you want to learn more about the mathematics of the hula hoop, you might start here (if you have time on your hands)...
Coordination Modes in Multi-Segmented Rhythmic Behavior: The Dynamics of Hula Hooping by Ramesh. Balasubramaniam and Michael T. Turvey.
They won a Nobel Prize for that. (Er, actually an Ig Nobel prize.)
P.S. I said that the resonant frequency of the hoop was determined by its diameter. If you read the paper you will see that it's rather more complicated than that :-)
“It isn't about equipment and software -
A interesting question asked by an Audio Masterclass student. Well does it?? Read more...
A 26 year old song has been banned from Canadian radio. Canadians are now protected from hearing an offensive word (three times in the same verse!) Read more...
A major producer has 'stolen' a song from a pair of unknowns. A crime, or normal everyday life in the music business? Read more...
You might make twenty takes of a track before you get one that really works. But could the twenty-first have been better? Read more...
What is it about your studio that makes it look and feel like a recording studio, and a nice place to work? Or is it just another room in your house? Read more...
A RecordProducer.com reader has a control he doesn't know what to do with. Does it really do anything? Read more...
The ear and brain pay much more attention to high-level sounds than low. So if you can bring up the low levels you might find a new source of excitement in your audio. Read more...
You might think that the occasional suggestion your producer is giving you about your song is helping you improve it. But secretly he might want to get his hands on half your royalties... Read more...
There's nothing like compression for improving a mix. On the other hand, there's nothing like compression for ruining a mix. So when should you compress? And, more importantly, why? Read more...
Grab yourself a piece of audio history that still has the power to deliver the goods. It's on eBay right now! Read more...
I have heard that mixing consoles have busses, but I can't see anywhere I can control or operate a buss. Could you tell me please what a buss is? Read more...
Your college tutors don't work in the real world, so how can they possibly assess you by real-world criteria? Read more...
Pro Tools users fought the law for years, and now in Pro Tools 9, the law is finally broken! Read more...
When super-accurate capacitor microphones are available, why do we cling to the past and still often use dynamic mics? Shouldn't we be moving on? Read more...
Can you recognize by a glance what kind of amplifier you have in front of you without reading the specifications? Do they have special visual features? For instance, could I recognize a vacuum tube from a transistor one? Read more...
There's no such thing as too much compression, if it sounds good. But there is a point where things might get worse, not better... Read more...
The compressor is a great studio tool. But does it work for live sound? Is there a hidden danger that will keep the engineer on his toes? Read more...
Could you please tell me when I should use a balanced cable and when I should use an unbalanced cable? Does it really make all that much difference? Read more...
Vintage Neumann M49 microphones don't often come up for sale, but there's one on eBay right now. And there are lots of lovely photographs (drool!)... Read more...
If your microphone sizzles like a frying pan full of eggs, bacon and sausages, clearly there is a problem to be solved. Read more...
Can you tell a priceless Stradivarius violin from a $5500 copy from a $60 chain-store clunker?
As a major fashion chain ditches the use of Photoshop for a more natural look, should we do the same in audio?
Sound engineers are normally a pretty thick-skinned bunch. So what is it that really riles them?
Viola player Natalie Holt throws eggs at Simon Cowell on Britain's Got Talent. She protests at having to mime playing her instrument.
It's one thing being rejected. But when publishers won't even listen to your music, what could you possibly be doing wrong?
If you have a spare 665 euros among your loose change, you could have 60 seconds of your own music recorded by a 70-piece orchestra! For real.
An RP reader wants to convert watts to dB. Is this even possible?
That dangly thing at the back of your throat, properly called the uvula... Could you sing without it?
If you're recording in the studio, you can put your mics anywhere you like. But for TV, it's a little different...
Getting the music done is one thing, getting the artwork finished is another. But what about all the other information a CD needs?
Classical music just needs to be recorded, doesn't it? Well in some cases it really can be produced.
Can an $89 pair of monitors really be an effective tool in the recording studio? Or are they only good for 'media creation?
A wrong note that has resonated for more than half a century is fixed - without the aid of a time machine.
An RP reader finds that a certain combination of microphone and preamp works much better than he expected...
Anyone with a home recording studio now has the means to create a hit. So why haven't you yet?
What sounds good to the electric guitar player doesn't necessarily sound good to the audience. A live sound engineer explains...
So you're setting yourself up in the voice over business. What should you think about before anything else?
Amazingly, the answer to this question is - almost - yes!
If you're miking one of the finest violinists in the world, should you point the mic at the double bass instead?
An RP reader fears losing cabinet resonances if the backline of his band is miked up through the PA. But perhaps it is innovation in live sound that has been lost over the years.
Earlier discussion on this topic...
Rene Rodriguez, Los Angeles, United States
Which mic/pre chain would you recommend for recording the hooping of the hula? By the way - digital hula hoops suck. All my hoops are vintage analog.
Monday June 11, 2012
Fjollet Barn
where can get the best hula hoops for pro audio?
Monday June 11, 2012