There are two possible scenarios...
1. Your recordings are not up to professional standards, and you know it.
2. Your recordings are fully up to professional standards, but you don't know it.
Let's take the second scenario first. There you are, in your home recording studio. You produce track after track and they sound really good, but you don't seem to be getting anywhere with your music.
One surprisingly common reason for this lack of success is that there are quite a few people out there who have learned how to record all on their own, and they are producing really good work.
But because they have never had any professional feedback, there is a lurking doubt in their minds that they can't really compete against the 'big guys'.
Here's an analogy - I like to watch motor racing on TV. Often you will see a driver in race after race after race, never winning.
Then suddenly they do win a race, and then they can't stop winning!
Clearly they didn't become a better driver overnight. What's happened is that they have learned how to win!
So if you are already making great recordings but you're not getting anywhere with them, Audio Masterclass can help.
What the Audio Masterclass course can do for you is take you through all the elements of sound and recording, fill in any minor gaps in your knowledge, and show you exactly where you are going right, and how to avoid going wrong in any way in your productions.
We will give you the confidence to succeed. And once you have placed your first track, the floodgates of success will be open!
Most of our students are not so far advanced.
What they do have in common is that they realize that they need help to succeed.
So if you want to become a music producer, or successful recording artist, you will need help.
Music is one of the most competitive industries there is. It's true that some people can make it on their own. But most of us need help, and even if you don't need help, you'll find your success a lot sooner than if you have to find your way on your own.
So in summary, Audio Masterclass can help you achieve success in your music, faster than you could do it on your own.
Click here for information on enrollment...
David Mellor
Course Director, Audio Masterclass
“It isn't about equipment and software -
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Belgian music royalty collection agency SABAM wants to enforce a licence for truck drivers to listen to music in their cabs. Is this fair? Read more...
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If your music is neither beautiful nor exciting, then it is unlikely to find an audience. We hear many recordings at Audio Masterclass that are professional. But mere professionalism isn't enough to get you noticed. A professional-sounding recording can be useful as an album filler, and even in the age of the download there are album-fillers aplenty being bashed out in pro studios. But to make an impact and achieve true success, your work needs to be beautiful. And if it isn't beautiful, then it needs to be exciting! Read more...
A RecordProducer.com reader wonders what the phantom power switch is for, and how it might improve the signal from the microphones. Read more...
I was able act as sound engineer, producer, session player and mastering engineer for this project.... Read more...
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Ah, that mysterious Q control in your EQ. Does it actually do anything? Read more...
It's an old cliche of rock music that the bass guitarist should be close to the drummer. But with modern technology does this still matter? And will you indeed go deaf? Read more...
Can you tell a priceless Stradivarius violin from a $5500 copy from a $60 chain-store clunker?
As a major fashion chain ditches the use of Photoshop for a more natural look, should we do the same in audio?
Sound engineers are normally a pretty thick-skinned bunch. So what is it that really riles them?
Viola player Natalie Holt throws eggs at Simon Cowell on Britain's Got Talent. She protests at having to mime playing her instrument.
It's one thing being rejected. But when publishers won't even listen to your music, what could you possibly be doing wrong?
If you have a spare 665 euros among your loose change, you could have 60 seconds of your own music recorded by a 70-piece orchestra! For real.
An RP reader wants to convert watts to dB. Is this even possible?
That dangly thing at the back of your throat, properly called the uvula... Could you sing without it?
If you're recording in the studio, you can put your mics anywhere you like. But for TV, it's a little different...
Getting the music done is one thing, getting the artwork finished is another. But what about all the other information a CD needs?
Classical music just needs to be recorded, doesn't it? Well in some cases it really can be produced.
Can an $89 pair of monitors really be an effective tool in the recording studio? Or are they only good for 'media creation?
A wrong note that has resonated for more than half a century is fixed - without the aid of a time machine.
An RP reader finds that a certain combination of microphone and preamp works much better than he expected...
Anyone with a home recording studio now has the means to create a hit. So why haven't you yet?
What sounds good to the electric guitar player doesn't necessarily sound good to the audience. A live sound engineer explains...
So you're setting yourself up in the voice over business. What should you think about before anything else?
Amazingly, the answer to this question is - almost - yes!
If you're miking one of the finest violinists in the world, should you point the mic at the double bass instead?
An RP reader fears losing cabinet resonances if the backline of his band is miked up through the PA. But perhaps it is innovation in live sound that has been lost over the years.
Earlier discussion on this topic...
Miguel Eduardo Cubillos Ocampo, Carrera 54d #188-41 Int 7 Apto 403 Mirandela, Colombia
Hi. I learn of course prices, which are titling. thanks.
Monday April 04, 2011