Offering both virtual analog synthesis and wavetable synthesis, TerraTec Producer's Komplexer synthesizer is a VST format plug-in for Windows capable of importing sounds from the Waldorf MicroQ.
Featuring classic synth sound powered by three oscillators, two multimode filters, four ADSDSR envelopes and three LFOs, Komplexer provides a range of sound creation possibilities. Courtesy of the application's groundbreaking macro controllers, presets can be modified to suit every taste using just eight parameters, making it easy for newcomers to synthesis to manipulate the sounds. Of course, this VST instrument also affords users unrestricted access to all of the sophisticated synthesis engine's 400 parameters should they want it. Features such as the advanced arpeggiator and LFO 3's synchronizable user-specific waveform serve to create striking soundscapes that adapt automatically to the given song tempo. The integrated vocoder lets conjure compelling vocal effects.
Priced at 199.00 euros (MSRP), TerraTec Producer's Komplexer is slated to hit stores in Q2 2005.
Features:
For more information, visit their web site at www.terratec.net
“It isn't about equipment and software -
A RecordProducer.com reader who is a live sound engineer has a compressor, and he is determined to use it. Is this a good idea? Read more...
A RecordProducer.com reader wonders about normalization. Should he do it? Should he normalize all the way? Read more...
You are running tons of plug-ins and your computer is running out of steam. How can you lighten the load AND use as many plug-ins as you like? Read more...
An RP reader has an interesting phase problem. Is this something he should worry about? Read more...
Delay is a useful technique for enhancing all sorts of signals. But when should you use it on vocals, and when should you not? Read more...
A Record-Producer.com visitor asks whether a good analog-to-digital converter is necessary. Or will any old converter do? Read more...
An RP reader has a question about phase. But normally it's best to learn what something is before you decide to get rid of it. Read more...
If your monitors are too small to handle deep bass, then there's stuff going on your recordings that you don't know about. Would a subwoofer help? Read more...
You would have thought that being brilliant would make you a front-runner, but it is the average masses who are in the lead, and you are trailing badly. Why...? Read more...
Perhaps your microphone came with a shock mount. Perhaps it was an expensive accessory. But why won't a simple clip or stand adapter do the job? Read more...
An RP reader asks, "I want to know the best filters for mastering. I want to know the best EQ." Read more...
You can get a plug-in to emulate virtually any analog audio process these days. But what about hum? Where's the plug-in for that? Read more...
Can your DAW handle 32 tracks? 64? A hundred?? A thousand??? Read more...
Suppose you worked on a recording, but you didn't get a credit. Would this matter to you? You bet it would! Read more...
An RP reader has feedback problems. But will clever manipulation of the gain control and fader provide the cure? In Part 2 of this two-part article, we look at the relationship between these two controls. Read more...
Pro Tools users fought the law for years, and now in Pro Tools 9, the law is finally broken! Read more...
What product doesn't exist today that we could really make use of in the studio? A remote controlled microphone stand of course! Read more...
A record label specializing in high quality audio charges $$$ for its tracks. But will you get good value for your money? Read more...
Every home needs a listening room or home cinema with a pair of really big loudspeakers. And this pair certainly is big. And unusual too. Read more...
An RP reader asks, "I wish to cover some songs I am sure will have copyright. Do I need to seek permission from the owner/creator or do I just do it and then pay a royalty on copies sold." Read more...
Getting the music done is one thing, getting the artwork finished is another. But what about all the other information a CD needs?
Classical music just needs to be recorded, doesn't it? Well in some cases it really can be produced.
Can an $89 pair of monitors really be an effective tool in the recording studio? Or are they only good for 'media creation?
A wrong note that has resonated for more than half a century is fixed - without the aid of a time machine.
An RP reader finds that a certain combination of microphone and preamp works much better than he expected...
Anyone with a home recording studio now has the means to create a hit. So why haven't you yet?
What sounds good to the electric guitar player doesn't necessarily sound good to the audience. A live sound engineer explains...
So you're setting yourself up in the voice over business. What should you think about before anything else?
Amazingly, the answer to this question is - almost - yes!
If you're miking one of the finest violinists in the world, should you point the mic at the double bass instead?
An RP reader fears losing cabinet resonances if the backline of his band is miked up through the PA. But perhaps it is innovation in live sound that has been lost over the years.
Any theatre would have tielines from the stage to the sound control booth. But from one side of the booth's window to the other?
A major producer has 'stolen' a song from a pair of unknowns. A crime, or normal everyday life in the music business?
AKG makes some of the best mics in the world. AKG also makes a USB mic. A great USB mic?
Two singers, one microphone. Could it cause an Internet sensation?
If a tree falls in the woods, does it make a sound (if no-one is around to hear it?) If you can't hear hum, then is there no hum?
Are you planning on getting your tracks mastered? Then the first rule of preparation is not to master the tracks yourself.
You can get a plug-in to emulate virtually any analog audio process these days. But what about hum? Where's the plug-in for that?
Take a 300-year old bass line, a cello player with just seven days' experience, and some highly uncool-looking musicians... and make a recording that is really top of the pops for weird!
Sometimes unusual microphone placements can capture an interesting sound. In this instance, the sound is completely wrong.