June 21, 2004
First announced last year, TC Electronic is now shipping the Dynamic EQ, the new mixing and mastering plug-in exclusive to the PowerCore platform.
This new EQ tool offers up to four definable bands, which can work in static or dynamic mode, or in a combination of both. Also, each of the bands can be configured as a parametric EQ or a high/low shelving filter.
This virtual processor eliminates the shortcomings of static EQ by providing a marriage between dynamic processing and EQ. Included Sidechain bands, which are independent of the processing bands, enable the high frequency content of a mix to control the low-end and vice versa. All processing is in 48-bit double precision, and may even be used in a phase linear mode, for much more transparent results.
Feature Summary:Dynamic EQ for PowerCore is shipping at EUR 430 Ex.VAT.
For more information, visit their web site at www.tcelectronic.co
“It isn't about equipment and software -
The problem with musicians is that they won't stay still. Or they sniff. Or rattle their dentures. When should the producer step in and tell them to stop? Read more...
This band is a one man operation. All songs are written, performed, and recorded by one guy (Tom Saunders).... Read more...
An RP reader who is already a pro recording engineer wants to become a (highly paid) mix engineer. How can he achieve this? Read more...
It's a topic of endless debate, but really there is no way a stream of digits can beat the real vinyl experience. Read more...
We used to be in love with MIDI. But you hardly hear of it these days. Has it gone away, or is it just keeping quiet? Read more...
A RecordProducer.com reader is having live sound problems and wonders if an expander might help. Read more...
Delay is one of the simplest yet (currently) under-appreciated effects available. But how do you work out the correct settings? Read more...
This is a tricky concept to explain and understand. But once you do understand it you'll feel an awful lot better. In fact, you'll probably feel so good you will consider yourself one of the 'elite' of sound engineering and look down upon lesser mortals who do not understand it... Read more...
Are you guilty of recording cliches? Do you do things because you've seen other people doing it like that? Or do you decide for yourself what's best? Read more...
If your microphone sizzles like a frying pan full of eggs, bacon and sausages, clearly there is a problem to be solved. Read more...
Think you know your Neumann microphones? Well think again. And be prepared to go green (with envy?) Read more...
When super-accurate capacitor microphones are available, why do we cling to the past and still often use dynamic mics? Shouldn't we be moving on? Read more...
Capacitor microphones used to come each with their own power supply. Then phantom power was invented so that any number of mics can be powered from the mixing console. So why are some manufacturers returning to the old ways? Read more...
Your recordings need to sound professional right from the first millisecond. Four audio examples demonstrate this VERY clearly. Read more...
A RecordProducer.com reader has a USB microphone. Would he be better off with one that has a normal cable and connector? Read more...
The range of great home recording equipment available these days is truly superb. But occasionally we all buy something that just wasn't worth the money. What's your experience? Read more...
The Rupert Neve Designs Portico 517 preamplifier/DI can blend microphone and instrument signals. Why would you want to do this in the preamp? Read more...
So you are listening to the latest hit by Katy Perry (we won't tell anyone!). But can you hear which mic she is using? Or anything else about the recording?? Read more...
Grab yourself a piece of audio history that still has the power to deliver the goods. It's on eBay right now! Read more...
Electronic circuits are packed with resistors. Normally they cost no more than a few cents each. But this one, from a vintage vacuum tube mic, is on sale for $130 US dollars. $130 US dollars! Read more...
An RP reader finds that a certain combination of microphone and preamp works much better than he expected...
Anyone with a home recording studio now has the means to create a hit. So why haven't you yet?
What sounds good to the electric guitar player doesn't necessarily sound good to the audience. A live sound engineer explains...
So you're setting yourself up in the voice over business. What should you think about before anything else?
Amazingly, the answer to this question is - almost - yes!
If you're miking one of the finest violinists in the world, should you point the mic at the double bass instead?
An RP reader fears losing cabinet resonances if the backline of his band is miked up through the PA. But perhaps it is innovation in live sound that has been lost over the years.
Any theatre would have tielines from the stage to the sound control booth. But from one side of the booth's window to the other?
A major producer has 'stolen' a song from a pair of unknowns. A crime, or normal everyday life in the music business?
AKG makes some of the best mics in the world. AKG also makes a USB mic. A great USB mic?
Two singers, one microphone. Could it cause an Internet sensation?
If a tree falls in the woods, does it make a sound (if no-one is around to hear it?) If you can't hear hum, then is there no hum?
Are you planning on getting your tracks mastered? Then the first rule of preparation is not to master the tracks yourself.
You can get a plug-in to emulate virtually any analog audio process these days. But what about hum? Where's the plug-in for that?
Take a 300-year old bass line, a cello player with just seven days' experience, and some highly uncool-looking musicians... and make a recording that is really top of the pops for weird!
Sometimes unusual microphone placements can capture an interesting sound. In this instance, the sound is completely wrong.
Clicks occur for all kinds of reasons - imprecise editing, random noises, gremlin infestation. But when do you need to do something about them?
There are so many decisions to be made during the process of recording. Should you make them one at a time as you go along, or let them pile up so that you have a mass of decisions to make in the mix?
Audio production - it's all about the DAW isn't it? Well that's what marketers would have you believe.
Content can be art. Art can be content. But when content is just a commodity, there is surely something going wrong.